Libretto
and Cartoons
by Abbie Conant
Music,
Video and Sound Design by
William Osborne
General
description
Program
Notes
Score
Video
Excerpts
Stills
from the Video

Premiered
March 16, 2004
in
The
Roy
and Edna Disney Cal Arts Theater

(in
downtown Los Angeles)
http://www.redcatweb.org/season/music/abbieconant.html

Schubert
Lieder, the Egyptian Goddess Maat, Native American poetry, dismemberment,
trombone playing, a cyborg talkshow host, a talking hand, sacred cartoons, a
vengeful opera singer, a martyred math geek, Hildegard von Bingen, fighter
jets, commercials for synthetic flesh, cyborgian attack dogs, and
personality-enhancement chips, psalms, a country western song, Mother
Nature, and a tribute to Joni Mitchell…
....all
integrated into a 45 minute surround sound mini opera with
computer-generated accompaniment, video and live electronics.
And yes, this is classical music about a cyborg trying to prove she is human by being a
talk show host.

Video
Excerpts from Cybeline
You need Real Player to see
the videos.
There is a free
Real Player download here.
Click
on the pictures to see the video clips.
The
page numbers indicate where the excerpts are in the downloadable score.
|

Opening
(p. 1)
|

Interview
of Hildy (p. 4)
|

Cyborg's
Pet Peeves
(p.
6)
|

Interview
of Hypatia (p. 8)
|
|

Number
Crunchin'
Cowboy
(p. 10)
|

Opera
Singers &
Computer
Geeks (p. 12)
|

The
Synthetic
Transcendental
(p. 16)
|

Ladybugs
(p. 17)
|
|
Glove
Controller Solo
(p.
20) |

But
Memory Is Everywhere
(p.
22)
|

Cybeline's
Vision
(p.
26)
|

Trombone
Solo (p. 24)
|

Program Notes for
Cybeline
For close to thirty years, the focus of our work has been chamber music
theater. Most of our productions are large, one-woman shows for Abbie. Many of
our works portray alienated, creative individuals in society.

Cybeline is a music theater work about a cyborg trying to be a talk show host
to prove she is human. It is about nature, virtual reality, biotechnology, and
the mass media – and about finding the heart and poetry in technology as it
also contemplates its horrors. We explore our notion that the creation of a
cyborg does not depend on the metalization of the body, but on the
programmability of the mind. We live in a wired together, prosthetic world of
global “cyberbia“ where our minds are programmed by the mass media. Since
our minds are programmed, we are all cyborgs. Cybeline can project her
thoughts, both conscious and unconscious, directly onto a screen that is an
extension of her body. She uses this ability to create her show. A loud buzzer
switches her on and off the air.
Cybeline was influenced by our interest in Jungian psychology. Jung felt that
humans are by nature image-makers, and that those images shape our dream-like
identity and perception of the world. Humanity creates art, and art creates
humanity. The mass media shapes Cybeline’s world, but she in turn, creates
her own media universe.
When off the air, Cybeline's music is created through computer operations that
randomly select and mix whispered phrases of words and soft music. She adds
sounds with her cyborgian hand -- in this case a glove controller which uses a
small program to convert its movements to MIDI signals. The strong contrast
between Cybeline’s consciously created show-biz routines and the
unconscious, random, dream-like world that evolves when she is off-air
gradually merge as the work progresses. Her subconscious mind and cultural
conditioning unify to create her dream-like reality.
To use the words of Samuel Beckett, Cybeline is something like an “enigma
wrapped in a mystery.” Even though we create our music theater works, many
of their symbolic meanings only reveal themselves to us over long periods of
time. In a similar way, we feel it is important for the audience to
contemplate and discover their own interpretations of our work.
Cybeline addresses three historical characters, however, that it might be
helpful to identify. Hildegard von Bingen was a 12th century nun, wise-woman,
composer, and healer. Hypatia was a rennowned 5th century Alexandrian
mathematician who was murdered by Christians who thought she was a witch. Maat,
seen only in images at the end of the work, is an Egyptian goddess. Upon
death, Maat places a person’s heart in a balance. If it is as light as a
feather, he or she will go to heaven. The “True Crimes” scene is about a
dismembered woman who has been reassembled as a cyborg and who questions how
the masculinist nature of technology has affected her feminine and cultural
identity
Click
here for much more extensive program notes about Cybeline.

Click
here to download the score of Cybeline as a PDF file. (3.6
megs)
(The
score is on European A4 paper. To print, Americans should select
"Page
Scaling" and then "Fit to Page" when Adobe's printer window
opens.
The
PDF file is almost illegible on a computer screen, but prints beautifully.)

Drawings
from Cybeline
Click
on the pictures to enlarge them.