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A
Collection of My Emails
I offer this collection of my old emails as a sort of weblog. They are divided in to some
of my pet topics -- or in any case, ones that I have spent time addressing in emails.
The newest additions, all posts from mid 2005 to December 2007, are at the beginning.
They were added on November 29, 2007
The Vienna Philharmonic's Gender and Racial Ideologies
The Vienna Philharmonic's Mauthausen Concentration Camp
Concert
The
Women's Orchestra In Auschwitz
Women In Music (General
Topics)
Stockhausen's Comments
Regarding the WTC Attacks
New Additions - Posts from mid 2005 to December 2007. For older posts, see below.
indicates posts that I feel are the most substantive.
Transcendentalism and Abuse In Art
Beamterkultur
(Civil Servant Culture In Europe)
Economic Behaviorism and Culture
How Abbie and William Built Their Careers
Changes In Web Culture Over the Last Ten Years
Chicago
School Economics and Postmodernism
Arts
Funding and Neoliberalism
A
Vienna Philharmonic Gender Chronology
American Denial About Arts Funding
The
American/European Cultural Divide
The
Elvis-From-Andover Syndrome
Aesthetic
Orthodoxy In New Music
Some
Stats For European Arts Funding
Examining Our Arts Funding Institutions
Franco Donatoni's Nervous Breakdown
A Critique of John Gray's "The Mirage of Empire"
The Critic As the Artist-Prophet's Harbinger and Apologist
Ein Herr-liches Orchester (transcription of a WDR broadcast about the VPO)
Hispanic vs. White Incomes: the effect on classical music
Hollywood Squares and Steppenwolf As Music Theater
Masculinism
and Tokenism In Computer Music
The
Infrastructure of Cultural Politics
Wilhelm
Jerger and the Vienna Philharmonic
Anne Manson and the Vienna Philharmonic
Masculinist
Cultural Nationalism In European New Music
The Quality of Mills College As A Place To Study
Artist-Prophets, Power, Dominance, and Torture
A
Comparison of European and American Arts Journalism
The Utility of Familiar Musical Languages
John Cage and the Beauty of Non-Intentionality
Artist-Prophets
and Oedipalism
Gender-Coding Professions In Germany
Rethinking
Opera From A Feminist Perspective
Working
With Women's Groups In Germany
Some
Weaknesses of Postmodernism
Private vs. Public Arts Funding
Alex Ross Pressured Over Comments About Vienna Philharmonic
Education and Funding Are the Solutions for Arts Eduction
Ensemble Sospeso's Gender Programming Ratios for 2005
Gender Stats: Eclat Festival, Zuricher Tage fuer Neue Musik , Ensemble Modern
Stuttgarter Musikhochschule: When Even Tokenism Doesn’t Matter
Tax Breaks Do Not Substitute For Arts Funding
Where
Are the Schools for Music Theater?
Transcendentalism
and Empathy in Music
The Evolution of the Web Over the Last Ten Years
Is Pomomodernism In Music White-On-White?
The Low Representation of Women Music Journalists
Wrestling
with Manhood: Boys, Bullying & Battering
Arts Funding and Aesthetic Zealotry
Anfragen betreffend Frauen bei den Wiener Philharmonikern an den Bundeskanzler am 21.12.2006
Sexual Harassment In the Music World
The Vienna Philharmonic's Gender and Racial Ideologies
Blind Auditions and Moral Myopia
The Vienna Philharmonic’s Letter of
Response to the Gen-Mus List.
Diary of Resistance (A
summary of my activism against the VP)
The Special Characteristics of the Vienna
Philharmonic’s Racial Ideologies
Holender Announces Women Will Audition
Ioan Holender Speaks of Women’s Limited Abilities
VPO Rejects Government Financial Offer
VPO Accepts Government Financial Offer
The VPO Cites SS Lieutenant On Its Website
The VPO Quickly Deletes SS Reference
VPO & The Emergence of the Far Right
VPO & Haider: Empty Declarations
Ozawa to Become GMD of Vienna State Opera & commentary
The Vienna Philharmonic’s Discussion of
Its Nazi Past
“For Violist the Rules Never Seemed To Change” (LA Times)
Marjorie Moris' report on the VPO protest in Philadelphia 2003
"Even a half-Japanese" in the Vienna Philharmonic?
Austrian Politicians Critize the VPO
The VPO's Double Standard Age Limit
The Differences of Some German Orchestral Instruments
See also:
"Taking On the Vienna Philharmonic" (MSNBC)
Vienna Philharmonic's Mauthausen Concert
Architects Criticize "Hollywood Bowl" In Mauthausen
Bomb Scares and Concentration Camp Memorial
Concerts
Concert at Death Camp Stirs Debate
Mauthausen Concert Press Summary
Historians Criticize Mauthausen Concert
The
Women's Orchestra In Auschwitz
The Women’s Orchestra In Auschwitz
The Evolution of Sadistic Impulses in Music
Problems of History & Relativism
Ernst Nolte's Rationalizations of the Holocaust
Hitler Apologist Wins German Honor, and a Storm Breaks Out (NY Times article)
Women In Music Technology
Obscurantanism and Patriarchy in Computer Music?
A Bench Mark for Fairness? Comments on the Tempo Festival at CNMAT
Can Postmodernism Sometimes Have A Rightist Character?
Why Can't We Respond to Ars Electronica's 'Next Sex' Festival?
Wired Maganize and Ars Electronica's 2000 'Next Sex' Festival
Anarchy, Neo-Liberalism and the Internet's Privileged Epistemologies
Technicans and Composers: Does the Difference Affect Women?
Language and Inclusivity: The Bay Area Creative Music List
The International Computer Music Association and the Humanities
Eigth Street Transcendentalism: Artisit-Prophets and Downtowners
Women In Music (General Topics)
Orchestras & Social Reality: Abbie Conant’s Activism Through Music
A commentary on Karen Kamensek's interview in VivaVoce
The Twelve Cellists of the Berlin Philharmonic
August Read Thomas comments on gender identity
Documentary Film: Judy Chicago's Dinner Party
Some Gender Stats for Women in Music
The relationship of "hi-lo" culture
Marketing Images of Conductors
Radical Egalitarianism and Musical Heirarchies
Political Discussion and Women In Music
Thoughts About Tokenism Based on Personal Experience
When Even Tokenism Doesn't Matter (New Music Concert at the Stuttgarter Musikhochschule)
Cultural Nationalism and Gender in European New Music
Cultural Nationalism and Our History in Germany
Postmodernism and Music
Can Postmodernism Sometimes Have A Rightist Character?
Why Can't We Respond to Ars Electronica?
Problems of History & Relativism
Ernst Nolte's Rationalizations of the Holocaust
Hitler Apologist Wins German Honor, and a Storm Breaks Out (NY Times article)
The relationship of "hi-lo" culture
Radical Egalitarianism and Musical Heirarchies
Are Public Intellectuals Still Relevant
Eighth Street Transcendentalism: A review of a concert by John Zorn in Miller Theater
Stockhausen's Comments Regarding the WTC Attacks
An analysis of Stockhausen's remarks regarding 9/11
Documentation of Stockhausen's comments re: 9/11
Forcing the Issue: Opera's
Brutal Mission (Washington Post article)
Issues In Arts Funding
Anarchy, Neo-Liberalism and the Internet's Privileged Epistemologies
Opera as a plaything of the rich
NEA increases 2003 funding by 12 million
Stats for German Performing Arts 1999/2000
Funding vs. Bias as a Gender Determinant
Stuttgart Opera vs. Met Ticket Prices
A German vs. American per capita arts funding comparison
A numerative comparison of German and American opera houses
The Met Ticket Prices In Comparison
Miscelleaneous
A German Anthropology Professor’s
Views On Jewish People and Gender
A Historical Example of Racist Views In
Music-Making
Nazi Fears Provoke cultural Exodus
Chancellor Criticizes 68ers and Internet Youth
IAWM Letter to the Metropolitan Opera
Are Public Intellectuals Still Relevant
Chanukah Music and German Orchestras
Journalism
A Comparison of European and American Music Journalism
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